“I am incomplete without Mohammad Rafi. I used to often go for the recoding of my song, which was sung by Mohammad Rafi, only because I used to like telling him how I would perform on this song on screen so that he can sing it that way. Even he liked my involvement” Shammi Kapoor
This is an understatement that Mohammed Rafi has left a lasting and permanent impression on the Indian music. In fact, Rafi and Indian film music are inseparable.
Just try to imagine the soulful and broken-heart songs from Guru Dutt without the playback voice of Rafi; or try imagining Dev Anand’s movies without Rafi’s songs – ranging from romantic to sad. Shammi Kapoor’s jumping-jack and light hearted dance numbers are impossible without Rafi. It is inconceivable to think of Indian movies of 50s, 60s and 70s without Rafi’s melodies.
When it comes to the Indian Music, Rafi was a true genius. From classical to folk, from sad to romantic, from religious to dancing tunes – he was able to sing every genre with equal control. For every mood, for every occasion, you can always find memorable numbers from Rafi. The man could sing anything, and in any range of octaves.
“Chaudhvin Ka Chand Ho”(1960, Chaudhvin Ka Chand)
“Chahunga Main Tujhe” (1964, Dosti)
“Baharo Phool Barsao” (1966, Suraj)
“Dil Ke Jharoke Mein” (1968, Brahmachari)
“Kya Hua Tera Wada” (1977, Hum Kisi Se Kum Nahin)
“Maine Poocha Chand Se” (1980, Abdullah)
“Yeh Jo Chilman Hai” (1971, Mehboob Ki Mehandi)
“Khilona Jaan Kar” (1970, Khilona)
“Suhani Raat Dhal Chuki” (1949, Dulari) Read the rest of this entry »
